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Machine Head – Unatøned

Genre:Groove/Thrash Metal, Nu-Metal
Country: U.S.A.
Label: Nuclear Blast Records
Year:2025

Machine Head’s eleventh album, Unatøned, released on April 25, 2025 via Nuclear Blast Records, marks a significant chapter in the band’s evolution, blending their signature heavy metal roots with fresh experimentation and a modern edge. The album was crafted over an extended period from mid-2023 to late 2024, reflecting the band’s return to global touring after an 11-year hiatus and capturing the raw energy of this phase in their career. Unatøned, finds the band at a crossroads—one that, for attentive fans, is neither abrupt nor unexpected. While some may argue that the group’s melodic and mainstream-leaning direction marks a controversial shift, it’s worth remembering that this evolution began several years ago, notably with 2022’s Of Kingdom and Crown and even earlier experiments. Those lamenting a supposed “new direction” are likely overlooking the band’s ongoing journey, not a sudden detour. The album is the band’s shortest record to date, clocking in at just over 41 minutes, that still delivers a potent mix of crunch-heavy riffs, powerful breakdowns, and a notable infusion of melody and punk influences.

Tracks like “Shards Of Shattered Dreams” showcase a sense of urgency and punk energy, while “Unbound” stands out as a fist-raising anthem of defiance with its chant-along chorus, embodying pure Machine Head spirit. Tracks like “Bønescraper” and “Atømic Revelations” channel the band’s classic power, with infectious grooves and relentless energy. “Shards øf Shattered Dreams” and “Addicted Tø Pain” echo Machine Head’s traditional style, albeit with a touch more melody and accessibility. There’s also a willingness to experiment: “Dustmaker” features unexpected trip-hop influences and clean vocals (electronic nuances and female vocals on “Dustmaker,” are really annoying), while the closing ballad “Scørn” showcases a vulnerable, piano-driven side rarely seen from Flynn. Not every experiment lands perfectly. Some tracks, like “Bleeding Me Dry” and “These Scars Wøn’t Define Us,” feel tailored for radio and lack the visceral punch of the band’s best work. A few songs come across as undercooked; likely a result of the album’s accelerated writing and recording process while on tour. Still, the ratio of hits to misses is favorable, and the album’s highlights are among the strongest Machine Head have produced in years.

The album was produced by Robb Flynn and Zack Ohren, with mixing and mastering handled by Colin Richardson, Chris Clancy, and Ted Jensen, ensuring a sharp and polished sound. The artwork, created by Seth Siro Anton, complements the album’s intense and evolving nature.

Unatøned is a bold, energetic, and multifaceted album that captures Machine Head’s journey from their origins to their current form. It balances raw aggression with melodic and experimental elements, making it a compelling listen for long-time fans and those interested in modern metal’s evolving soundscape. While it may not please all listeners due to its stylistic variety and lyrical content, it stands as a testament to the band’s relentless drive and creative discipline.

Unatøned is not the radical departure some detractors claim—it’s the latest step in a process Machine Head has been refining for years. The album balances nostalgia with innovation, offering enough heaviness for longtime fans while exploring new melodic territory. It may not be flawless, but it’s a compelling, above-average effort that proves Machine Head’s relevance and vitality in 2025.

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